Presence - Inside - CD (1993), U.K.

The next oddity for this month is another band from the U.K., called Presence. After Laurance "Lol" Tolhurst departed acrimoniously from The Cure in 1989, he went on to form this very short lived act with former Fools Dance vocalist, Gary Biddles and bassist, Michael Dempsey, who was also formerly of The Cure. Other members included Chris Youdell (keyboards) and Alan Burgess (drums). Rob Steen (guitar) and Roberto Soave would later join to replace Dempsey on bass to complete the line-up.
Free from the reigns of control of Robert Smith, Lol was able to meld his own sound. For those who are curious, Presence in some ways sounds how The Cure would've sounded if they evolved into an alternative rock band, but with the traditional dream-pop sound still intact. Don't believe me? The tracks taken from their album Inside, such as Act Of Faith, Pause and Missing are very good stark examples. This also makes a good argument for Cure fans to critique on Lol's influence or lack of influence (whichever you believe) while he was with The Cure.
Before anyone took notice of their brief existence, Presence released a very modest discography, which only included three singles and one critically acclaimed (but commercially unsuccessful) full length album. Nearing the end of this post, I'd like to point out the album I'm presenting here, was originally released in 1992 in the U.K. first (obviously) and then released in the U.S. a year later with two additional exclusive tracks (what a surprise!). Unfortunately, by the time the album was released in the states, the band had already split.

Details:

Presence - Inside - CD (1993), U.K.

1. Never
2. Fragments
3. Act Of Faith
4. On Ocean Hill
5. Revolve
6. Highest Peak
7. Pause
8. Raindown
9. Missing
10. In Wonder
11. All I See
12. Inside

Review

More Information:
Biography
Discography
Official Myspace
Official Website

Dream Command - Fire On The Moon - LP (1990), U.K.

To follow up on the previous post, here's an unforeseen oddity I've come across in my collection. Years ago, when my ex-girlfriend withdrew from our relationship, she left behind a small collection of vinyls she couldn't take. One of those were Dream Command's Fire On The Moon. Once the needle touched the groove on this record and my turn table started playing, I can immediately understand why.
There's a familiar sound to this album and the voice singing the cheesy lyrics: "This may come as a surprise, but I've got x-ray eyes..." is none other than Steve Fellows from The Comsat Angels! Reading behind the sleeve cover, confirms this and also reveals the rest of the CSA line-up Kevin Bacon (bass), Andy Peake (keyboards) and Mik Glaisher (drums) were involved.
It is unknown as to why the name change came to be for The Comsat Angels this time. They weren't under litigation from another delusional telecommunications company or other band bearing the same name. Perhaps they were trying to experiment how the market in the early 90's would react with the name change? Regardless of what the case may be, this album reveals The Comsat Angels' transition from their familiar post-punk/new wave sound into a more alternative rock oriented theme, but with unsatisfying results.
It's very difficult to convey my opinion about this album. After listening and really liking Chasing Shadows, Fire On The Moon left me feeling a bit uncertain and uncomfortable. There are some real stinkers in it and the only stand out tracks worth listening to are "Reach For Me", "Venus Hunter" and "Celestine".
Apparently, my feelings about this album aren't alone. According to sources, "the album was bounced back and forth between band and record company countless times, with neither party happy with the results". With no mutual agreement to be reached between Dream Command and Island Records, the album was "leaked" in limited quantities only in the U.S. and Holland. After this awkward affair, the band was subsequently dropped from the label, but fortunately this was not the end of The Comsat Angels. Review the album for yourself and see if you like it!

Details:

Dream Command - Fire On The Moon - LP (1990), U.K.

Side A:
1. Celestine
2. Whirlwind
3. Sleepwalking
4. Reach For Me
5. Ice Sculpture

Side B:
6. Venus Hunter
7. Phantom Power
8. Transport Of Delight
9. She's Invisible
10. Mercury

Review

More Information:
Official Myspace of Steve Fellows
Biography
Discography
Fan Page

The C.S. Angels - Chasing Shadows - LP (1986), U.K.

It's been quite a month for me, which is normally reserved for hiding indoors, yet I'm glad it turned into an unexpected and pleasant one. Before the end of the month quickly slips away, I'd like to briefly say that I've come a bit closer to my friends, reconnected with an old one and survived the "invisible" rapture.
Marching forth to the main agenda, here is Chasing Shadows by Sheffield, England's The Comsat Angels. After their brief time with Jive Records and unsuccessful album 7 Day Weekend, The Comsat Angels were without a label, until the late Robert Palmer, yes Robert "Simply Irresistible" Palmer approached and encouraged front man and guitarist Steve Fellows to sign with Island Records. In return for helping find a new label for the band, Robert Palmer is credited in the album as executive producer and did some vocal work for the song "You'll Never Know".
To explain the revised name, The Comsat Angels had to call themselves in the U.S. as The C.S. Angels, because a company named Communications Satellite Corporation (or COMSAT), believed the band infringed on their trademark. I found this rather bizarre and amusing since the name was originally taken from a short story by English writer, J.G. Ballard!
The album Chasing Shadows, to those who have heard it, is considered the band's return to form, reminiscent of the early Polydor Record years, à la Waiting For A Miracle, Sleep No More and Fiction. This is immediately noticeable in the dark, edgy opener "The Thought That Counts" along with "Under The Influence" and "You'll Never Know" with some mellow moments interspersed through out the album. Truthfully, I'd say this is one of The Comsat Angels' better albums, highly recommended and can be had for less than $10 (I acquired mine for $2!) on vinyl. Unlike the band's other releases, I found it mysterious and a bit depressing to see this one was left behind without a re-issue, but hopefully that'll change someday. Have a listen!

Details:

The C.S. Angels - Chasing Shadows - LP (1986), U.K.

Side One:
1. The Thought That Counts
2. The Cutting Edge
3. Under The Influence
4. Carried Away

Side Two:
5. You'll Never Know
6. Lost Continent
7. Flying Dreams
8. Pray For Rain

Review

More Information:
Official Myspace of Steve Fellows
Biography
Discography
Fan Page

Electronic - Electronic - CD (1991), U.K.

Happy Holidays! It's just hours before the end of the year and what better way to celebrate the end by listening to some twitch inducing music? Electronic, formed in 1988, was a joint effort between ex-Smiths guitarist Johnny Marr and singer/guitarist Bernard "Barney" Sumner from New Order. Guest musicians were also involved such as Neil Tennant and Chris Lowe from The Pet Shop Boys and Karl Bartos from German synth pioneers Kraftwerk. Electronic existed after the demise of The Smiths (Marr) and in between and during an extended absence from New Order (Sumner).
During that time, they released 13 singles, 3 full-length albums, and a compilation "best of" album (released in 2006). Electronic's sound represents only a fraction of the vast and creative nature of the Madchester scene going on in the U.K. at the time. Using a mix of analogue synths and guitars, they set out to make an impact with some successful singles such as Getting Away With It, Get The Message, and Second Nature.
For today's post, I'm introducing their self-titled debut album released by Factory Records. It's very obvious Electronic sounds very much like how New Order would sound if Peter Hook took a break from playing bass, but with Johnny Marr on guitar and helping out with writing some of the songs, the similarities become less obvious. Some notable tracks in this album include Tighten Up, Gangster, and Try All You Want. With the exception of Tighten Up, I was surprised that Gangster and Try All You Want weren't released as singles! I wasn't very fond of Getting Away With It, although it has a catchy chorus, it's a very cheesy song with somewhat awkward and simplistic lyrics. Well now, it looks like I've ran out of words,  excuse me while I'm off celebrating and anticipating the beginning of the new year!

Details:

Electronic - Electronic - CD (1991), U.K.

1. Idiot Country
2. Reality
3. Tighten Up
4. The Patience Of A Saint
5. Getting Away With It
6. Gangster
7. Soviet
8. Get The Message
9. Try All You Want
10. Some Distant Memory
11. Feel Every Beat

Review

More Information:
Biography
Discography
Fan Site

The High - The Best Of The High - Compilation - CD (1997), U.K.

Another month comes and goes, but not without an update! Now that the weather is starting to cool off a bit in September, I have another band to share!

Sometime around the late 80's, Steve Diggle from Buzzcocks F.O.C. (Flag Of Convenience) decided to go back and reform the venerable pop-punk group Buzzcocks with Pete Shelly. The remaining members of F.O.C. which included Andy Couzens (guitar), Simon Davies (bass) and Chris Goodwin (drums) decided to reform a new group, but before doing so they had to recruit a vocalist. After a round of rehearsals for a lead singer, the group settled on John Matthews (formerly of Turning Blue) and christened themselves as The High.

In less than five years, the band signed on to a record label (London Records), released a few singles and two LPs (Somewhere Soon in 1990 and Hype in 1992) before calling it quits in 1993. Although their time together was short-lived, their music remains under appreciated to this day. Perhaps their trouble with success had something to do with the unfair comparison of The Stone Roses, the media quickly losing interest in the Madchester scene or people finally started sobering up on ecstasy. Whichever the case may be, The High deserve more recognition. The most notable aspect in The High's history, is they were one of the last bands who collaborated with renowned producer Martin Hannett before his death in 1991.

I'll admit The High do sound a bit like The Stone Roses, but the differences end there. They have an infectious jangly guitar sound I'm very fond of along with atmospherics and a bit of melancholy to round out their sound.

Here's their best of released in 1997, which for some odd reason is not really considered a cumulation of all their best work. Someone at their record label lazily put together their first LP with a single and called it "Best of", while ignoring their other releases and Hannett produced work (they even used the cover from the second LP!). For first time listeners this will have to suffice, but it's not a bad introduction to the band!

Details:

The High - The Best Of The High - Compilation - CD (1997), U.K.

1. Box Set Go

2. Take Your Time

3. This Is My World

4. Rather Be Marsanne

5. So I Can See

6. A Minor Turn

7. Dreams Of Dinesh

8. Up & Down

9. P.W.A.

10. Somewhere Soon

11. More

Review

More Information:

Biography

Discography

Fan Site

B.F.G. - Blue - CD (1990), U.K.

B.F.G. What does it stand for? I have no idea and they're definitely not related to the automotive tire brand. What I can tell you is they were an overlooked band during the crowded Manchester music scene during the 80's. B.F.G. was formed from the remains of Factory Records band Lavolta Lakota and discovered by Joy Division/New Order bassist Peter "Hooky" Hook. He helped the band out by letting them support New Order during their 1986 summer tour. During that year B.F.G. released their first 12 inch single Paris, which immediately sold out in a week!
The members of the band included many such as B. J. Williams (vocals), Mike Lambert (bass), Mike Simmi (drums and guitar), Acky (guitar), El Thomas (Samples), ex Chameleon Andy Clegg (keyboards and synths), Paul Batheran (guitar) and Steve Craig (vocals).
B.F.G.'s sound was originally filled with intense shrieking guitars, a throbbing bass line and lead by a low baritone voice (B. J. Williams). Comparisons were made to Joy Division at first, but when they released their EP Western Sky, their sound suddenly shifted towards sounding more like the Sisters of Mercy. By the time they released their first LP Fathoms (1988), they evolved into New Wave pop music.
For this post, I'll be presenting their second LP Blue (1990). B.F.G.'s Blue album sees them changing their music direction once again and this time they sound like an industrial/EBM band. The music isn't as intense as it was before and some of the beats are so-so, but there are some songs on here that would be great to play on any club dance floor!

Details:

B.F.G. - Blue - LP - CD (1990), U.K.

1. Love Grind
2. Anonymous
3. Switch
4. Gun Law
5. Myth Club
6. Eastern Eye
7. Brain Cage
8. Pulse
9. Monkey Block

Review

More Information:
Official Myspace
Attica Records
Discography

The Lavender Faction - Four Riffs For Joe - Maxi Single (1991), U.K.

I have a complete disdain for the train wrecks people keep listening to lately such as Ke$ha (how do you pronounce that!?), Justin Bieber and among others.
I don't mean to stomp on people's listening habits, I just think some of them need to go out and explore outside of familiar territory and embrace unknown sounds out there that exist outside of the typical mainstream outlets.
It brings me great relief to see there's been a resurgence of some good shoegaze / psychedelic rock bands for a few years now such as Ceremony, The Daysleepers and Ringo Deathstarr. I'm hopeful this new interest in the genre will bring in more listeners now than it did in the past.
The Lavender Faction (I like the name!) was a band who came from the U.K. in the late 80's or early 90's. They're undoubtedly from the shoegaze scene but got lost in between the likes of more popular groups such as The Jesus and Mary Chain, My Bloody Valentine and Ride. I think it might've been the low production quality of their recordings or maybe they were just poorly managed. Whatever the reason was, The Lavender Faction are worth a listen.
Finding any information for this group was very difficult as it usually is the case with these obscure bands. The only information I was able to find was their limited discography (In My Mind, Ride and Four Riffs For Joe) and the members (Geoff Suggett - vocals and guitar, Tony Pickering - vocals and guitar, Mark Patterson - bass and Andy Lee - drums) involved.
The material I'll be presenting here is from Four Riffs For Joe, released in 1991 by Lust Recordings. Four Riffs For Joe is a mix of indie rock with tinges of shoegaze. I think these guys could've gone further with developing their sound and making it noisier than what it currently was, but after the release of this maxi single the group disappeared.

Details:

The Lavender Faction - Four Riffs For Joe - Maxi Single (1991), U.K.

Side A
1. Crawl Down
2. Total Change

Side B
3. Haze
4. Was It You

Review

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Discography

Section 25 - The Key Of Dreams - LP (1982), U.K.

The Key Of Dreams, a strange title for an album that is more of an unstructured nightmare. This is the second album by Post-Punk/Synth-Pop cult band Section 25, who are best known for their hit album From The Hip (1984). Section 25 formed back in 1978 in Blackpool by brothers Larry (vocals and bass) and Vin Cassidy (drums) and were hastily joined by Paul Wiggin (guitar).
In 1979, the band organized and performed a charity concert event for the International Year Of The Child along with Joy Division and Orchestral Manoeuvres In The Dark (OMD). After the event, Joy Division vocalist Ian Curtis and manager Rob Gretton were so impressed with their live performance, they helped Section 25 produce and release their first 7" Girls Don't Count (1980). Section 25 would later release their first album, Always Now (1981) produced by the legendary Martin Hannett (A.K.A. Martin Zero) and distributed by the long extinct Factory Records.
The Key Of Dreams (1982) is truly an experimental album compared to their previous effort and it shows. As it turns out, the nine tracks from the album were taken from a five hour jam session! What else can I say? It is definitely not for everybody, but only for those who are brave enough to sit through forty two minutes of improvisation. What do you think?

Details:

Section 25 - The Key Of Dreams - LP (1982), U.K.

Side 1 (A):
1. Always Now
2. Visitation
3. Regions
4. The Wheel
5. No Abiding Place
6. Once More

Side 2 (B):
7. There Was A Time
8. Wretch
9. Sutra

Review

More Information:
Official Myspace
Official Website

Killing Joke - Wilful Days - Compilation - CD (1995), U.K.

Stress, freezing temperatures (both indoors and out) and lack of motivation have prevented me from posting here the past few days. Yet here I am back again to share a great band which I'm sure people have heard of or haven't (take your pick). Who's this band I'm referring to? Killing Joke! Killing Joke!? Isn't that the Batman graphic novel!? NO!! Killing Joke was a relatively unknown band in the U.S. (except within the heavy metal community), yet quite popular in the rest of the world (obviously).
Killing Joke formed in 1978-79 in Notting Hill, London and were quite notorious for displaying controversial political imagery on their records and during live performances. Their song Eighties was briefly featured in the John Hughes' teen comedy classic Weird Science, starring the beautiful Kelly LeBrock (at the time) and the opening guitar riff intro was ripped off by those awful Seattle grungers, Nirvana.
The band was fronted by Jeremy "Jaz" Coleman (vocals and keyboards - who is also a believer of the coming "apocalypse"), Kevin "Geordie" Walker (guitar), "Big" Paul Ferguson (drums) and Martin "Youth" Glover (bass - later to be replaced by the late Paul Raven).
The material I'll be presenting is from a compilation CD released in 1995 by Caroline Records. It features KJ's music dating back to '79 with Are You Receiving, to the mid 80's with a slightly different version of their atmospheric hit song Love Like Blood and lastly to the late 80's with the lame sounding extended version of America. When I first got this CD, I was mislead into thinking it was their "best of" but instead got a collection of songs that sound like they'd belong in their "worst of". Don't get me wrong! There are some gems in this compilation such as the aforementioned Love Like Blood, yet I feel this release was just an attempt by Caroline Records to cash in on the new found KJ popularity after the critically acclaimed album Pandemonium (1994). Okay enough of my rambling, let's get on with the music shall we?

Details:

Killing Joke - Wilful Days - Compilation - CD (1995), U.K.

1. Are You Receiving
2. Follow The Leaders (Dub)
3. Sun Goes Down
4. Dominator (Extended)
5. Me Or You
6. Wilful Days
7. Eighties (Serious Dance Mix)
8. A New Day
9. Love Like Blood (Gestalt Mix)
10. The Maddening Crowd
11. Ecstacy (The Extended Mix)
12. America (Extended)
13. Change (Re-Evolution Mix)

Review

More Information:
Official Myspace
Official Website
Band History

Simple Minds - Empires And Dance - LP (1980), U.K.

To end the depressing year of 2009, I will celebrate by posting my first Simple Minds LP Empires And Dance. Remember Simple Minds? No? Remember the song playing at the end of the popular 80's movie teen drama The Breakfast Club? Still don't remember? Here are a few lines of the lyrics to refresh your mind ... "Don't You Forget About Me!" Oh that song! Yes that song! Don't You (Forget About Me) was played to death on radio waves back during the mid 80's and unexpectedly catapulted this Scottish band from obscurity (in the U.S.) to worldwide super stardom overnight.
The group at the time this album was recorded was led by Jim Kerr (vocals), Charlie Burchill (guitar and saxophone), Michael Macniel (keyboards), Brian McGee (drums and percussion) and Derek Forbes (bass fret). The band has gone through numerous line up changes and musical styles throughout the years and it's amazing to see the band still carries on to this day! Now before I go, I'd like to point out that this album is unlike the Simple Minds most people are familiar with. Along with the typical synth pop sound prevalent at the time, there are also hints of minimal synth, dark sounding reggae and other post-punk sounds in here that would make even a music snob take a second listen and forget all the bad insults they said about Simple Minds!

Details:

Simple Minds - Empires And Dance - LP (1980), U.K.

Side 1:

1. I Travel

2. Today I Died Again

3. Celebrate

4. This Fear Of Gods

Side 2:

5. Capital City

6. Constantinople Line

7. Twist/Run/Repulsion

8. Thirty Frames A Second

9. Kant-Kino

10. Room

Review

More Information:

Official Myspace
Official Website

Band History

This Scarlet Train - Fimbria - Mini LP (1987), U.K.

What do you get when you combine echoey guitars, lush melodies and atmospheric singing? This Scarlet Train! Fimbria was a short but sweet very little known mini album released by Nightshift Records back in 1987. This album is perfect for introducing people who are curious about getting into the shoegaze and dream-pop genre without being overwhelming.
The three piece from Scotland were Stuart Nelson (bass guitar and voice), Robert Polson (guitar and keyboards) and Steven Docherty (drums). It's amazing how a small group of just 3 people can produce such a glorious sound! Soon after the album was released, the members split and went their separate ways never to be heard from ever again.

Details:

This Scarlet Train - Fimbria - Mini LP (1987), U.K.

Side 1:
1. Picture Frame
2. Autumnhood
3. Candice


Side 2:
4. Kistvaen
5. Still Rain
6. Lilyhaze

Review

More Information:
Unofficial Myspace
Discography

Breathless - Between Happiness And Heartache - LP (1991), U.K.

Melancholic, atmospheric, romantic, ... Breathless is all of these and so much more. This is one of those great discoveries that somehow go unnoticed for many years and make you wonder why you didn't find out about them sooner.
Formed somewhere in the U.K. (London?) in the early 80's, the group comprised of Dominic Appleton (vocals and keyboards), Gary Mundy (guitars and additional voices) and Ari Neufeld (bass and acoustic guitar). Former members included Tristram Latimer-Sayer (drums) and Martyn Watts (drums and percussion).
Between Happiness And Heartache has the perfect blend of shimmery bluesy style sounding guitars, bittersweet lyrics and dream-pop goodness. I've listened to this album countless times and never tire of it each listening session. It is also one of those albums to listen to for those times whenever you feel really down and out. Before moving on to the music, it is worth mentioning that Dominic Appleton was a guest musician with 4AD super group This Mortal Coil.

Details:

Breathless - Between Happiness And Heartache - LP (1991), U.K.

Side 1:
1. I Never Know Where You Are
2. Over And Over
3. Wave After Wave
4. You Can Call It Yours

Side 2:
5. All That Matters Now
6. Clearer Than Daylight
7. Flowers Die
8. Help Me Get Over It

Review

More Information:
Official Myspace
Tenor Vossa Records