Caifanes - Caifanes (Edición Especial) - CD (1993), Mexico

Hopping around to the next country to launch the first month of the new year, here's a group who are credited for being one of the most critical in helping make the Rock en Español (Spanish Rock) movement to go mainstream in Latin America during the late 80's and early 90's. Caifanes, formed in Mexico City, Mexico in 1987, included Saúl Hernández (vocals/guitar), Sabo Romo (bass guitar), Alfonso André (drums) and Diego Herrera (keyboards and saxophone).
Their self-titled debut album, also known as Mátenme Porque Me Muero (Kill Me, Because I'm Dying), which I'll be presenting, was originally released in 1988 on vinyl record and then re-released in 1993 on CD as a "Special Edition" package with two extra tracks. These two tracks are actually the singles La Negra Tomasa (The Black Girl Tomasa) and Perdí Mi Ojo de Venado (I've Lost My Deer Eye) released in 1989.
Truthfully, I think the addition of these songs ruin the overall atmosphere of the album, especially La Negra Tomasa, which is actually a cover of a fiercely popular cumbia song (I shamefully admit dancing to when I was young). Trying to mix a tropical dance song into a post-punk/new wave album is not something anyone should EVER attempt. My guess as to why they included it was so the label could capitalize on the major success the band was having at the time and including that particular song into the mix would generate more sales to a wider audience on an otherwise "dark" album.
Fans of The Cure, The Essence and the like, will love this album, despite the band's strong insistence in claiming they were more influenced by prog-rockers, King Crimson. Nevertheless, The Cure reference is very hard to ignore.

Details:

Caifanes - Caifanes (Edición Especial) - CD (1993), Mexico

1. Mátenme Porque Me Muero
2. Te Estoy Mirando
3. La Negra Tomasa
4. Cuéntame Tu Vida
5. ¿Será Por Eso?
6. Viento
7. Nunca Me Voy a Transformar en Ti
8. Perdí Mi Ojo de Venado
9. Amanece
10. La Bestia Humana
11. Nada

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Electronic - Electronic - CD (1991), U.K.

Happy Holidays! It's just hours before the end of the year and what better way to celebrate the end by listening to some twitch inducing music? Electronic, formed in 1988, was a joint effort between ex-Smiths guitarist Johnny Marr and singer/guitarist Bernard "Barney" Sumner from New Order. Guest musicians were also involved such as Neil Tennant and Chris Lowe from The Pet Shop Boys and Karl Bartos from German synth pioneers Kraftwerk. Electronic existed after the demise of The Smiths (Marr) and in between and during an extended absence from New Order (Sumner).
During that time, they released 13 singles, 3 full-length albums, and a compilation "best of" album (released in 2006). Electronic's sound represents only a fraction of the vast and creative nature of the Madchester scene going on in the U.K. at the time. Using a mix of analogue synths and guitars, they set out to make an impact with some successful singles such as Getting Away With It, Get The Message, and Second Nature.
For today's post, I'm introducing their self-titled debut album released by Factory Records. It's very obvious Electronic sounds very much like how New Order would sound if Peter Hook took a break from playing bass, but with Johnny Marr on guitar and helping out with writing some of the songs, the similarities become less obvious. Some notable tracks in this album include Tighten Up, Gangster, and Try All You Want. With the exception of Tighten Up, I was surprised that Gangster and Try All You Want weren't released as singles! I wasn't very fond of Getting Away With It, although it has a catchy chorus, it's a very cheesy song with somewhat awkward and simplistic lyrics. Well now, it looks like I've ran out of words,  excuse me while I'm off celebrating and anticipating the beginning of the new year!

Details:

Electronic - Electronic - CD (1991), U.K.

1. Idiot Country
2. Reality
3. Tighten Up
4. The Patience Of A Saint
5. Getting Away With It
6. Gangster
7. Soviet
8. Get The Message
9. Try All You Want
10. Some Distant Memory
11. Feel Every Beat

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Gravity Pirates - This Way To The Cargo Cult - LP (1986), Australia

Originating from the land of down under, the home of wacky-haired Yahoo Serious and the subject of many over the top post-apocalyptic movies, arrives a band who are seldom mentioned and still remain off the radar of most people. Gravity Pirates from Sydney, Australia is a group shrouded in obscurity and will remain so until some more insight is revealed. I was a bit frustrated to find very little information beyond what is on the vinyl's sleeve cover.

The only notable things I could uncover is who all the members were involved while the band existed, the sparse discography (2 LP's) and a Myspace page (with just a grainy music video, music samples and a short magazine article). The people connected with the band were: Steven Hindes (guitar, vocals and piano), Sharon Van Tromp (vocals), Paul Hindes (keyboards), Alistair Stevenson (bass), Pierre Della-Putta (drums) and Keith Boots (drums).

This Way To The Cargo Cult, released in 1986 (not 1984, as the Amazon and iTunes download pages insist) by Survival Music, is quite a find and amazed it didn't go for as much as I'd expected it to go for online in physical form (I got mine for $8). Full of brooding sounds and murky vocals, Gravity Pirates' debut album is the type of music followers of the post-punk genre and the like shouldn't miss out on! The most outstanding tracks are the killer, head bopping opener This Way To The Cargo Cult and the slow, dark and ambient Backtrack. With respect to the artist, I've only put these two songs up for review since high quality remastered digital versions are readily available on Amazon and iTunes individually for 99¢ or the full album for about $7.
There's less than two months left before the year ends, so sit back, listen and bask in the sea of gloominess!

Details:

Gravity Pirates - This Way To The Cargo Cult - LP (1986), Australia

Side 1:

1. This Way To The Cargo Cult

2. Float So Wide

3. Backtrack

4. Frontal Attack

Side 2:

5. Exposure Of My Senses

6. Take My Time

7. Shape Of A Point Of View

Review

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Evening Legions - Evening Legions - EP (1986), France

The temperature is trickling, the leaves on the trees are metamorphosing and the distinct smell of fall is in the air. Happy October 2010! It's a bit sad, yet exciting to see another year nearly coming to a conclusion.
The recent change of scenery has provoked me to introduce Evening Legions. This particular group from France, were quite an astonishment for me. Astonishing, because I've never seen them mentioned along with their contemporaries such as Asylum Party, Little Nemo and Marc Seberg. Evening Legions is one of those bands that have a dark sounding name, yet their music (of what I could find) doesn't quite exactly match the description. These guys produced some very catchy new wave pop music with the lead singer sounding a bit like Nick Marsh from Flesh For Lulu. With this combination, you'd expect to listen to them on the radio, featured at the top of the charts and selling out records, but in reality this kind of recognition was not in their favor (though they were featured on the radio).
The lot behind Evening Legions were: Leaf Seale (guitar and vocals), Jean-Luc Vilgicquel (synth guitar), Pierrick Corzéame (drums), Flash (synths) and Pascal Obispo (bass), replacing Jaco Racotte who was previously on bass.
As I made repeated listens to their self titled EP, I kept wondering to myself: "Wow these guys could've been picked up by a major record label!" and "What ever happened to them?" While these thoughts were cycling through my mind, I rapidly searched for more information about them (the vinyl sleeve just wasn't enough) online. Fortunately, I was able to dig up a Myspace page which features a very short and brief summary about the band (in French), including 3 music videos (2 of which are live), a listing on Discogs and a small fan page. Enjoy this little gem!

Details:

Evening Legions - Evening Legions - EP (1986), France

Side A:
1. Your Dimension
2. Life On Earth

Side B:
3. Soft Silk Pillow
4. Affectionate Disturbances

Review

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The High - The Best Of The High - Compilation - CD (1997), U.K.

Another month comes and goes, but not without an update! Now that the weather is starting to cool off a bit in September, I have another band to share!

Sometime around the late 80's, Steve Diggle from Buzzcocks F.O.C. (Flag Of Convenience) decided to go back and reform the venerable pop-punk group Buzzcocks with Pete Shelly. The remaining members of F.O.C. which included Andy Couzens (guitar), Simon Davies (bass) and Chris Goodwin (drums) decided to reform a new group, but before doing so they had to recruit a vocalist. After a round of rehearsals for a lead singer, the group settled on John Matthews (formerly of Turning Blue) and christened themselves as The High.

In less than five years, the band signed on to a record label (London Records), released a few singles and two LPs (Somewhere Soon in 1990 and Hype in 1992) before calling it quits in 1993. Although their time together was short-lived, their music remains under appreciated to this day. Perhaps their trouble with success had something to do with the unfair comparison of The Stone Roses, the media quickly losing interest in the Madchester scene or people finally started sobering up on ecstasy. Whichever the case may be, The High deserve more recognition. The most notable aspect in The High's history, is they were one of the last bands who collaborated with renowned producer Martin Hannett before his death in 1991.

I'll admit The High do sound a bit like The Stone Roses, but the differences end there. They have an infectious jangly guitar sound I'm very fond of along with atmospherics and a bit of melancholy to round out their sound.

Here's their best of released in 1997, which for some odd reason is not really considered a cumulation of all their best work. Someone at their record label lazily put together their first LP with a single and called it "Best of", while ignoring their other releases and Hannett produced work (they even used the cover from the second LP!). For first time listeners this will have to suffice, but it's not a bad introduction to the band!

Details:

The High - The Best Of The High - Compilation - CD (1997), U.K.

1. Box Set Go

2. Take Your Time

3. This Is My World

4. Rather Be Marsanne

5. So I Can See

6. A Minor Turn

7. Dreams Of Dinesh

8. Up & Down

9. P.W.A.

10. Somewhere Soon

11. More

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El Pecho de Andy - El Pecho de Andy - LP (1986), Spain

Here's another excellent Spanish band coming from the city of Toledo, Spain. El Pecho de Andy (The Chest of Andy) were a New Wave/Post-Punk group active during the mid to late 80's. Besides the names of the members involved and the albums they released (2 LP's and about 3-4 Singles), I couldn't find any further information about their whereabouts or why they split. The members were: Miguel Angel García (guitar and vocals), Francisco Javier García-Zarco (guitar), Miguel Angel Campos (drums), Arturo Soriano (saxophone) and María Eugenia "Maruge" Muñoz (bass). The sound of this band is very similar to The Psychedelic Furs with a saxophone playing in the background in a few of their songs, minus the Richard Butler-esque sounding voice. Enjoy listening to their first self-titled LP, while keeping cool under the hot summer sun!

Details:

El Pecho de Andy - El Pecho de Andy - LP (1986), Spain

Side One:
1. El Arrozal
2. Última Combinación
3. Vuelo Nocturno
4. A Años Luz

Side Two:
5. Anochecer En Tahiti
6. Brillan Tus Lágrimas
7. Fighting Temeraire
8. Morgana y Ginebra

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Alice In A Nightmare - Alice In A Nightmare - LP (1988), Greece

I love surprises, especially the ones that shift my desolate frown into a grand smile instantly! This new gem I recently discovered comes from the small country of Greece, the birth place of Democracy, the Olympic games and the mighty Greek gods, just to name a few. Lately there's been some misconceptions surrounding the small, yet highly influential country both politically and economically. Greece has an interesting history, but I won't delve into these subjects and bore you all. I'd much rather talk about Alice In A Nightmare instead!

Obviously inspired by Lewis Carroll's Alice In Wonderland, Alice In A Nightmare emerged a few years a little late into the Greek New Wave/Post-Punk scene, but being first doesn't matter. What matters is the music these guys did was good! It's diverse and a bit quirky with many shades of genres mixed in together such as post-punk, synth pop, folk and a little funk (I can hear that slapping bass!).
The collaborators behind the music were Eli Aslanoglou (vocals), Nick Yeorgoulis (guitar and bass), Dimitris Carastamatis (electric piano, keyboards and synths) and Theodore Vlachakis (drums and synths). This was yet another band who should've gained some prominence outside of their home country, but didn't. After their first and only self titled LP (released by Virgin), the group disbanded mysteriously.

Details:

Alice In A Nightmare - Alice In A Nightmare - LP (1988), Greece

Side One
1. Under The Shadows
2. Shelter In My Dreams
3. Brother Night (Tonight)
4. Magic
5. I Walk Alone

Side Two
6. Tell Me Something
7. Alice In A Nightmare
8. My Love Is Calling
9. Yesterday

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